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[剧情] [一代综师][BT/MKV/9.38G]灰鸽子之歌.A Song About the Gray Pigeon.1961.1080p.x264.中文字幕

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[一代综师][BT/MKV/9.38G]灰鸽子之歌.A Song About the Gray Pigeon.1961.1080p.x264.中文字幕



◎标  题 灰鸽子之歌
◎译  名 A Song About the Gray Pigeon
◎片  名 Piesen o sivém holubovi
◎年  代 1961
◎产  地 捷克斯洛伐克
◎类  别 剧情 / 战争
◎语  言 德语 / 俄语 / 斯洛伐克语
◎上映日期 1961-05(戛纳电影节)
◎IMDb评分 7.3/10 (99人评价)
◎IMDb链接 https://www.imdb.com/title/tt0232416/
◎豆瓣评分 7.3/10 (122人评价)
◎豆瓣链接 https://movie.douban.com/subject/3258681/
◎片  长 98分钟
◎导  演 斯坦尼斯拉夫·巴拉巴斯 Stanislav Barabas
◎演  员 扬·布兹杜赫 Jan Bzduch
      马丁·塔帕克 Martin Tapák
      海伦娜·兹瓦里科娃 Helena Zvaríková
      Pavle Polacek Pavle Polacek
      Pavel Mattos Pavel Mattos
      Radoslav Bartoník Radoslav Bartoník
      Olga Zöllnerová Olga Zöllnerová
      伊里·索瓦克 Jirí Sovák
      Július Vasek Július Vasek
      Karol Machata Karol Machata
      Jana Hlavácová Jana Hlavácová
      弗拉迪米尔·杜尔迪克 Vladimír Durdík
      Ladislav Chudík Ladislav Chudík
      Karla Chadimová Karla Chadimová
      Vladimir Brecka Vladimir Brecka

◎简  介
    1961年嘎纳电影节金棕榈提名,斯洛伐克新浪潮的先声。   The May 1961 premiere of The Song of the Gray Dove (Piesen o sivom holubovi, 1960) directed by Stanislav Barabas (1924-1994) marked the start of filmmakers' use of ideologically unassailable themes (in this case, the Slovak National Uprising) to tell stories that were true-to-life and yet were filmed creatively. The Song of the Gray Dove rejected the narrative topics loved by Palo Bielik, who was the most creative member of the founding generation of filmmakers. By using boys as his heroes, Barabas was able to concentrate more on children’s fears, games, and happiness, which had not vanished even during the war years, rather than on reeducating viewers. Critics took notice of the film (it won the 1961 Czechoslovak Film Critics' Award together with the Czech film People Live Here Too [Vsude zijí lidé; dir. Jirí Hanibal and Stepán Skalsky, 1960) because of its intimate storytelling—six stories loosely connected by child-heroes—and its premise that children’s distorted reality can be more truthful than a so-called objective reconstruction of history. Critics also noted that the film was not without hope, despite its tragic ending.





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